VST & CO. Biography | Last.fm
Vst And Company Chords
Vst And Company Band Members

The Best of VST & Company. By VST & Company. OPM (Original Pilipino Music) Collection of OPM Playlists. Songs from 1990's. VST & Company was a Filipino disco group prominent during the late 1970s in the Philippines. Considered to be the pioneer and icon of what is known as the Manila Sound, VST & Co. Released disco singles such as Swing It, Baby, Magsayawan, Ipagpatawad Mo, Awitin Mo, Isasayaw Ko and Disc read more.

Spanky (in cowboy hat, center) with four other members of VST & Co. The band was a pillar of Manila Sound. Photo from Wikimedia Commons

CultureMusic

This lovingly done short feature on the musician and comedian—written by his nephew—is a surprising tribute to an entertainer who might have just chosen the better path than his more famous bandmates. By JEROME GOMEZ

ANCX | Jul 05 2020

Aperture trial download. Remember Spanky Rigor? It’s a name only guys who grew up in the 70s and watched a lot of TV in the 80s would recall. Spanky is one of those many lanky, bemoustached guys of the era, but he is most remembered for being a comedian in the gag show T.O.D.A.S. (props to those who could still recite what the acronym stands for without Googling), and more importantly as the S in VST and Company—one of the great bands that defined Manila Sound.

We mention the VST singer, producer, songwriter, bass guitarist Spanky because we just chanced upon a great, moving short documentary on his life—or at least on what happened after he left the country more than 30 years ago. It’s on YouTube and it’s called My Uncle Spanky, The Rockstar Who Left It All Behind, a feature from Pop-up Magazine, written by Spanky’s nephew Albert Samaha.

So where is Spanky now? He’s working at the San Francisco Airport as a baggage handler, it turns out, and he’s been at it for three decades, reports Samaha. The short feature then proceeds to tell the ex-musician slash comedian’s life story, beginning from his growing up years outside Manila until he meets the V and T of VST in the capital: Vic and Tito Sotto.

The three guys hit it off—the Sotto brothers are impressed with his ear for music—and they form a band, distinguishing themselves from the other music groups of the era by specializing in disco which was exploding at the time. They make “Awitin Mo, Isasayaw Ko,” “Swing,” “Tayo’y Magsayawan”—all hits. Spanky’s fame eventually spills out to other ventures like TV hosting and the movies. It was the Marcos years and, as his nephew says, his Uncle Spanky looked at his job as help to relieve the fears many Filipinos were experiencing during Martial law.

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But when Spanky’s mother-in-law decided to migrate to the US, followed by his wife, his eventual visits to San Francisco drew him more and more to the allure of living there. They bought a house in Vallejo California, and for a while it was a paradise of close-family ties and barbecues on weekends.

We’ll let Spanky’s very talented nephew Samaha take the storytelling from here—which is really the point of this article. We really want you to see the documentary, whether you’re a VST fan or just a Manila Sound devotee. It’s a very good feature, in both the telling and the very important questions it raises about the price of fame and how we define success. We dove into it expecting an E! True Hollywood Story—we came away getting so much more.

With VST (Virtual Studio Technology), Steinberg established the world’s leading and most widely supported standard for plug-ins and virtual instruments in 1996. With VST3 Steinberg releases the next major revision of Steinberg’s Virtual Studio Technology to the audio industry. VST3 marks an important milestone in audio technology with a completely rewritten code base providing not only many new features but also the most stable and reliable VST platform ever. This combination of latest technology and new features is the result of Steinberg’s twelve years of development experience as the leading plug-in interface provider. VST3 has been designed to provide a technological and creative basis for many innovative and exciting new products for the audio industry, offering a new world of creative possibilities for instrument and effect plug-in users. The VST3 SDK is available as a free technology, open in use for any developer.

About the VST standard

The Virtual Studio Technology (VST) interface is nothing short of a revolution in digital audio. Developed by Steinberg and first launched in 1996, VST creates a full, professional studio environment on your PC or Mac. VST allows the integration of virtual effect processors and instruments into your digital audio environment. These can be software recreations of hardware effect units and instruments or new creative effect components in your VST system. All are integrated seamlessly into VST compatible host applications. These VST modules have the sound quality of the best hardware units, yet are far more flexible. All functions of a VST effect processor or instrument are directly controllable and automatable; either with a mouse or with an external hardware controller. VST also allows easy integration of external equipment, allowing you to put together a system tailor-made to your needs. Being an open standard, the possibilities offered by VST have steadily been growing over the past decade. New virtual effect processors and virtual instruments are constantly being developed by Steinberg and of course dozens of other companies. Leading third party VST instrument creators include renowned software companies such as Native Instruments, Arturia and Spectrasonic as well as known hardware manufacturers like Korg, Waldorf or Novation. Companies such as Waves, Sonnox, Antares and TC Works have contributed virtual effect processors.

New VST3 features

Improved performance

Managing large plug-in sets and multiple virtual instruments on typical studio computer systems can often be difficult because of CPU performance limits. VST3 helps to improve overall performance by applying processing to plug-ins only when audio signals are present on their respective inputs. Instead of always processing input signals, VST3 plug-ins can apply their processing economically and only when it is needed.

Multiple dynamic I/Os

VST3 plug-ins are no longer limited to a fixed number of inputs and outputs. Their I/O configuration can dynamically adapt to the channel configuration they’re inserted in, meaning that any VST3 plug-in can be surround-capable with true multi-channel processing. For example, all the new VST3 plug-ins in Nuendo 4 can work in stereo-mode when inserted into a stereo channel, but switch to 6 channels when inserted into a 5.1 channel. Each audio channel is processed independently. Interaction between channels depends on the type and design of the plug-in. In addition to their flexible audio bussing capabilities, VST3 plug-ins may also offer a dedicated event bus. Typically, this is a MIDI input for control/modulation but these busses are no longer restricted to MIDI standard only. Future plug-ins may replace the common MIDI interface with alternative methods of control.

Activating/deactivating busses

A typical issue with current virtual instruments is their audio output bussing system and how they’re connected to the mixer after loading. Especially virtual samplers with multiple outputs often occupy more mixer channels than need. The VST3 interface offers the possibility to deactivate unused busses after loading and even reactivate those when needed. Youtube mp3 high quality audio. This cleans up the mixer and further helps to reduce CPU load.

VST & CO. Biography | Last.fm

Resizable edit windows

VST3 introduces a new approach to plug-in GUIs though window resizing, allowing for extremely flexible use of valuable screen space.

Sample-accurate automation

VST3 also features vastly improved parameter automation with sample accuracy and support for ‘ramped’ automation data, allowing completely accurate and rapid parameter automation changes.

Logical parameter organization

The plug-in parameters are displayed in a tree structure. Parameters are grouped into sections which represent the structure of the plug-in. Parameters like “Cutoff” and “Resonance” could be grouped into a section called “Fil

Vst And Company